Dutch conceptual artist Hans Eijkelboom's work is very much in line with the deadpan, seemingly mechanistic note-taking of Ed Ruscha and Hans-Peter Feldman. In "Paris-New York-Shanghai," Eijkelboom creates a witty comparative study of three major contemporary metropolises, each selected for having been the cultural capital of its time--Paris during the nineteenth century; New York, the twentieth; ...
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Hans Eijkelboom: Paris-New York-Shanghai reviews:
Here is even more proof that the differences in exotic cultures have already been conquered and eliminated by globalization -- at least in three large cities on three different continents. Dutch photo...
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